我的爸爸叫板凳

【《教室里的激情》韩国电影】用种很魔幻甚至挑战着观感的手法对准了巴西本土更为实际的问题男主人公身为黑人遭遇的工作剥削、种族歧视以及在后殖民时代的无法融入“社会性死亡”似乎是他必然的结局他也如同被爆头的牛接受着这些人的欺压与伤害我的爸爸叫板凳的每件物品都照射着过往存在的历史它展示着许多残酷现实的本质：时间上的更迭并不能冲毁、抹掉它；如同附着的幽魂时刻游荡并缠绕不过要是能够更精简和清楚些就好了

第一部让我惊艳第二部却大跌眼镜编剧金手指随意开主角光环耀眼的吓人从悬疑变成玄幻人物命运全无推理瞎鸡巴胡来

是没做我的爸爸叫板凳还是还没有

Long overdue. Why did I ever stop? Guess I was saving the best for last and for when I need it most. Motherhood doesn't suit this narrative, female friendship does. "A friendship between college girls is grander and more dramatic than any romance." "I want to write stories that make people feel less alone than I did, I want to make people laugh about things in life that are painful." If we'd stuck around and moved to the same city together, wouldn't this be us? Would one of us pull a Shosh and "call it": "I've come to realize how exhausting, narcissistic, and ultimately boring this dynamic is." Too real, too much water down the bridge. Ep 5 Gummies, maybe we'll all be Loreen someday

对韩国第一位女导演的调查与作品修复很有价值剧作上企图联结女性导演在过去与现在所面对的共同困境我的爸爸叫板凳实现一种精神上的性别共鸣可惜议题细节过于松散零碎涉及死亡、子宫、家庭等等并一一进行历时呼应剧作痕迹太明显